Milly is annoyed whenever her mom tells her to behave more appropriate for a girl. She's just not interested in fancy dresses or prom dances. Some day her best friend's little brother offers her a potion which can make her deepest wish come true during a solar eclipse. She goes through with it and ends up with male genitals, additionally. So she has to decide if she wants to live as a boy or a girl. Her father, who always wanted a son, supports her in checking out life as a boy. Hence Milly changes school and starts out as Willy.

Free Willy is an animated television series, inspired by the 1993 film of the same name.This television series was produced by Warner Bros. Television, Regency Enterprises and the Canadian company Nelvana for Warner Bros. Studios. The show, which aired for one season on American Broadcasting Company, continues the adventures of the orca Willy and Jesse, the boy who freed him from captivity as shown in the film. In retrospect, the series also anticipates multiple plot elements of the film sequel, Free Willy 2: The Adventure Home, released the following summer. The overarching conflict is reminiscent of Moby-Dick: a powerful oil baron, known to the main characters only as a cyborg called "The Machine" until the final episodes, loses his arm and part of his face to Willy while committing an environmental atrocity and wants revenge upon "that rotten whale... and his boy".

徐向前元帅是中国十大元帅中唯一的北方籍元帅，他的一生充满传奇色彩。该剧讲述的是1947年至1949年间，在山西战场，徐向前和他的老师、同乡、著名国民党山西王阎锡山斗智斗勇的故事。徐向前在兵力对比悬殊，装备劣势不利的条件下，精于谋略，指挥果断，敢打敢拼，先后发动了运城战役、临汾战役、晋中战役和太原战役，使阎锡山节节败北，最终全部消灭。本剧谱写了解放战争史上绝妙辉煌的篇章，充分展示了徐向前元帅的指挥才能和人格魅力。

徐向前元帅是中国十大元帅中唯一的北方籍元帅，他的一生充满传奇色彩。该剧讲述的是1947年至1949年间，在山西战场，徐向前和他的老师、同乡、著名国民党山西王阎锡山斗智斗勇的故事。徐向前在兵力对比悬殊，装备劣势不利的条件下，精于谋略，指挥果断，敢打敢拼，先后发动了运城战役、临汾战役、晋中战役和太原战役，使阎锡山节节败北，最终全部消灭。本剧谱写了解放战争史上绝妙辉煌的篇章，充分展示了徐向前元帅的指挥才能和人格魅力。

Willy Fog is again challenged by Sullivan and embarks, with his friends, in search of a secret path to the center of the Earth and the depths of the sea.

Cayman Went is the story of Josh Anders, a fading Hollywood underwater action star whose life takes on new meaning when he's forced to spend time with the eccentric, endearing inhabitants of Cayman Brac and their local dive community.

The film is a reaction to the current wave of post-humanist thinking caused by the development of technology and artifi cial intelligence as well as the climate crisis. The human species is beginning to realize its insignifi cance and transience, and human identity has found itself in a crisis. The fi lm FREM attempts to refl ect this feeling and creates a dehumanized and alienated view of landscape and nature beyond human perception of reality. Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical refl ection on the limits of anthropocentric thinking. 　　"Making this film was an extreme experience, in every aspect, not only physical, since we shot in Antarctica. I had to think un-thinkable. Leave the prison of anthropomorphism behind. Stop being human." V. Čákanyová

Beginning with a diary of a visually impaired person, they become plants and the plants become them. Between touching and being touched, they wander into each other's bodies, creating a connection between particles.

When investigative reporter Maya learns that her childhood best friend has gone missing, she decides to cover the story herself. But just as her return to her hometown unearths memories and rekindles past relationships, it also brings a long dormant (and still totally unknown) stalker that she had years ago. As her investigation deepens, the danger strikes closer and closer to home. Will she uncover the truth about her friend’s disappearance? Or will Maya herself wind up being the next tragic news story?

Jack ventures to remote New Zealand for the funeral of his estranged mother and meets her widow Jill. But his mother's spirit returns to inhabit each of their bodies, instigating a life-threatening three-way nocturnal dance.